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  • “We Gon’ be Alright!” Kendrick Lamar: a medium to influence Social and Political Activism

    17/04/2023
    Paper
    Wessel Joosten
    Getty
  • Autocorrect: the ultimate influencer

    14/05/2020
    Paper
    Kirsten Verbeek Tessa Willemsen
    Example of autocorrection
  • Can’t Help Myself – How a Relatable Robot Offers a Critical Reflection on Modern Society

    23/02/2022
    Paper
    Iris Olde Hampsink
    Picture of Artwork Can't Help Myself
  • Diversity and representation in TV and movies and why it matters

    27/06/2022
    Paper
    placeholder author image
    Florentine Bakkenes
  • Understanding "I'm Still Here". This can't be real, right?

    16/09/2020
    Paper
    Hanne Hermens
  • Eugenia Cooney: Youtube's representative of disordered eating

    08/12/2021
    Paper
    Lara Hoffmann Irina Jidoveanu Julia Schuitemaker Ralf Cnobloch Didiana Clinciu
  • The Beatles and Globalization in the Sixties

    15/04/2022
    Paper
    Mariska van Schijndel Rosalie Vaarten k.raaijmakers@uvt.nl Raaijmakers Aniek van den Brandt Naomi Dominicus
  • Representation of the Zef Culture by Die Antwoord

    13/07/2017
    Paper
    Lisa Wijvekate
  • Sublime of the Void in Anish Kapoor’s “Descent into Limbo”

    29/09/2023
    Paper
    Olga Koltsova
    https://anishkapoor.com/75/descent-into-limbo
  • “Gentlemen, Here We Invest With Balls”: Cryptos and the Celebration of Unfettered Hegemonic Masculinity

    29/01/2024
    Paper
    Wessel Joosten Yasin Tunçer Gerard Castillo-Miralles Noa Terzi
  • ‘Ukiyo-e’ Woodblock Prints – Modern Appeal through Beauty Aesthetics and The Sublime

    16/02/2024
    Paper
    Boaz N.
    A Contemporary Analysis on late 18th and early 19 th Century Japanese ‘Ukiyo-e’ Woodblock Prints – M
  • The Power of Transmedia Storytelling in the Marvel Cinematic Universe

    06/10/2021
    Paper
    Paige Christianne Andres
    Collage of the Marvel Cinematic Universe film posters
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