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Latest papers

Diggit Magazine is a community-driven academic news and information platform. It provides quality information in times of digitalization, globalization and superdiversity. Next to articles, columns, wiki entries, interviews, reviews and videos, we also publish the classic academic format: the paper. 

  • Gamification Has Turned Connecting With Others Into a Game – How Helpful Is It Really?

    19/10/2022
    Paper
    Iris Olde Hampsink
    Tinder logo
  • Deviating from the mainstream: Amish or Uber-Hipsters?

    17/10/2022
    Paper
    Femke van Bree Ziggy van Rooij Miró Supit
    Deviating from the mainstream: Amish or Uber-Hipsters?
  • Knives Out (2019) and the classical detective formula

    12/10/2022
    Paper
    Chi-chieh Huang
    Knives Out (2019)
  • Designers rethink social boundaries with gender-neutral fashion

    12/09/2022
    Paper
    Stefan Immens Anna Vasilenka Tomlin Smits Milo Miranda
  • “Who run the world?”: A critical analysis of Beyoncé and her Instagram

    02/09/2022
    Academic Paper
    Anastasia Goana
  • The Marvel Cinematic Universe: a realistic fictional world

    01/08/2022
    Paper
    Renske Jacobs
     MCU  Marvel Cinematic Universe
  • ‘Onions’ among Estonians: Cultural diversity in the country of startups

    11/07/2022
    Paper
    Kalie Roost
    The view on the rooftops of the Old Town in Tallinn, Estonia
  • The sublime of Miyazaki: how the movies of Studio Ghibli give us a feeling of sublimity

    29/06/2022
    Paper
    Beau Swierstra
  • Diversity and representation in TV and movies and why it matters

    27/06/2022
    Paper
    placeholder author image
    Florentine Bakkenes
  • Bearing witness to expose the Israeli military: Janna Jihad's activism as a Palestinian citizen journalist

    06/06/2022
    Paper
    Kelly Burnet
  • What Greta Gerwig's Little Women (2019) tells us about injustice in Hollywood

    27/05/2022
    Paper
    Lola Vos
  • Eroda: where visual art, storytelling and marketing become one

    23/05/2022
    Paper
    Kelly Burnet
    Eroda: No Land Quite Like It
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