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Media

  • A lover or a monster: Jeffrey Dahmer in the true crime genre

    30/11/2022
    Paper
    Iris Dumoulin
    The Jeffrey Dahmer Netflix Series

  • Whistleblowing: Sophie Zhang vs. Facebook

    28/11/2022
    Paper
    Lara Lovrič

  • Over de biografie van schrijver Bernlef: de biografische waarheid is niet te achterhalen.

    28/10/2022
    Article
    Sander Bax
    bernlef, 10 jaar overleden,

  • Nebula: What does creator-owned mean?

    11/10/2023
    Article
    Joël Eduard Nicholas Grassère
    Nebula: A (partially) creator-owner streaming service

  • Knives Out (2019) and the classical detective formula

    12/10/2022
    Paper
    Chi-chieh Huang
    Knives Out (2019)

  • GLOW: Critiquing the Stereotypes of American Identities on TV

    05/10/2022
    Review
    Marit van Dijck
    Promotional material for GLOW

  • Wie is de Mol?, more than a TV show

    28/09/2022
    Review
    Kristi van der Zanden

  • The lived experience of teenagers in Norway and beyond in Skam

    07/09/2022
    Review
    Marieke Weeda
    Five of the main characters of Skam walking, with yellow text saying SKAM in front of them.

  • The sublime of Miyazaki: how the movies of Studio Ghibli give us a feeling of sublimity

    29/06/2022
    Paper
    Beau Swierstra

  • The Handmaid's Tale: Transmedia storytelling and Activism

    14/11/2022
    Article
    Iva Konstantinova
    photo posted by the Boston Globe

  • Diversity and representation in TV and movies and why it matters

    27/06/2022
    Paper
    placeholder author image
    Florentine Bakkenes

  • Convergence culture in the video game industry

    05/12/2022
    Paper
    Szymon Zbiegniewski
    Fortnite characters
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